Elements of Criticism, Band 1Bell & Bradfute, 1817 - 515 Seiten |
Im Buch
Ergebnisse 1-5 von 100
Seite vi
... respect to beauties of art or of nature , is scarce endea- voured in any seminary of learning ; a la- mentable defect , considering how early in life taste is susceptible of culture , and how difficult to reform it if unhappily ...
... respect to beauties of art or of nature , is scarce endea- voured in any seminary of learning ; a la- mentable defect , considering how early in life taste is susceptible of culture , and how difficult to reform it if unhappily ...
Seite xiii
... these Qualities , 3. Interrupted Existence of Emotions and Passions . - Their Growth and Decay , 4. Coexistent Emotions and Passions , 31 47 52 55 59 73 79 94 103 • • 112 Part 5. Influence of Passion with respect to our Perceptions.
... these Qualities , 3. Interrupted Existence of Emotions and Passions . - Their Growth and Decay , 4. Coexistent Emotions and Passions , 31 47 52 55 59 73 79 94 103 • • 112 Part 5. Influence of Passion with respect to our Perceptions.
Seite xiv
... respect to Uni- formity and Variety , CHAP . 10. Congruity and Propriety , 11. Dignity and Grace , 12. Ridicule , . 13. Wit , · • 14. Custom and Habit , · 293 • 300 · · 316 329 342 · 359 15. External Signs of Emotions and Passions , 382 ...
... respect to Uni- formity and Variety , CHAP . 10. Congruity and Propriety , 11. Dignity and Grace , 12. Ridicule , . 13. Wit , · • 14. Custom and Habit , · 293 • 300 · · 316 329 342 · 359 15. External Signs of Emotions and Passions , 382 ...
Seite xv
... respect to Sound , 4 2. Beauty of Language with respect to Signi- fication , · 3. Beauty of Language from a resemblance between Sound and Signification , 4. Versification , CHAP . 19. Comparisons , 20. Figures , Sect . 1 ...
... respect to Sound , 4 2. Beauty of Language with respect to Signi- fication , · 3. Beauty of Language from a resemblance between Sound and Signification , 4. Versification , CHAP . 19. Comparisons , 20. Figures , Sect . 1 ...
Seite 2
... respect to seeing and hear- ing , being insensible of the organic impression , we are not misled to assign a wrong place to the plea- sant or painful feelings caused by that impression , and therefore we naturally place them in the mind ...
... respect to seeing and hear- ing , being insensible of the organic impression , we are not misled to assign a wrong place to the plea- sant or painful feelings caused by that impression , and therefore we naturally place them in the mind ...
Häufige Begriffe und Wortgruppen
action Æneid appear arts ascer beauty burlesque Cæsar Chap character circumstances colour congruity connexion degree desire dignity disagreeable distinguished distress doth effect elevation emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give gratification habit hand hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression inflamed influence instances ject Julius Cæsar kind King Lear king of Leon less ludicrous Macedon manner means mind motion never nexion novelty objects of sight observation occasion opposite Othello painful passion Paradise Lost perceive perceptions person pity pleasant emotion pleasure present produceth propensity proper proportion propriety punishment qualities racter reason reflection relation relish remarkable resemblance respect ridicule risible satiety scarce Sejanus selfish sense sensible sentiments Shakespeare singular sion species spectator sublime surprise taste termed things thou thought tion uniformity variety wonder words writer