Quick-shifting anticks, ugly in her eyes; Such shadows are the weak brain's forgeries *; His hand, that yet remains upon her breast, First, like a trumpet, doth his tongue begin Who, o'er the white sheet peers her whiter chin, 4 Such shadows are the weak brain's FORGERIES ;] So, in A Midsummer-Night's Dream : "These are the forgeries of jealousy." STEEVENS. Again, in Hamlet : 5 "This is the very coinage of your brain : "This bodiless creation ecstacy "Is very cunning in." MALONE. the eyes fly from their lights.] We meet with this conceit again in Julius Cæsar: "His coward lips did from their colour fly." STEEVENS. 6 Beating her BULK, that his hand shakes withal.] Bulk is frequently used by our author, and other ancient writers, for body. So, in Hamlet: "As it did seem to shatter all his bulk, "And end his being." See vii. p. 261, n. 1. MALONE. 7 To make the breach, and enter this sweet city.] So, in our author's Lover's Complaint: "And long upon these terms I held my city, "Till thus he 'gan besiege me." Again, in All's Well that Ends Well: "marry, in blowing him down again, with the breach yourselves made, you lose your city." MALONE. 8 o'er the white sheet peers her whiter chin,] So, in Cym The reason of this rash alarm to know, Thus he replies: The colour in thy face9 Thy never-conquer'd fort1; the fault is thine, Thus I forestall thee, if thou mean to chide : "And whiter than the sheets." MALONE. So Otway, in Venice Preserved: 66 in virgin sheets, "White as her bosom." STEEVENS. 9 Under what COLOUR he commits this ill. Thus he replies: The COLOUR in thy face-] The same play on the same words occurs in King Henry IV. Part II.: this that you heard, was but a colour. "Shal. A colour, I fear, that you will die in, sir John." STEEVENS. And the red rose BLUSH AT HER OWN DISGRACE,] A thought somewhat similar occurs in May's Supplement to Lucan: labra rubenus Non rosea æquaret, nisi primo victa fuisset, Et pudor augeret quem dat natura ruborem. STEEVENS. 2 Under that colour am I come to scale Thy never-conquer'd fort:] So, in Marlowe's Hero and Leander : 66 every limb did, as a souldier stout, "Defend the fort, and keep the foe-man out: We have had in a former stanza "Her breasts, like ivory globes circled with blue." MALONE. My will that marks thee for my earth's delight", I see what crosses my attempt will bring; And dotes on what he looks', 'gainst law or duty. I have debated 5, even in my soul, What wrong, what shame, what sorrow I shall breed; But nothing can affection's course control, 2 - my earth's delight,] So, in The Comedy of Errors: 66 My sole earth's heaven." STEEvens. 3 I THINK the honey guarded with a sting;] I am aware that the honey is guarded with a sting. MALONE. 4 on what he looks,] i. e. on what he looks on.-Many instances of this inaccuracy are found in our author's plays. See the Essay on Shakspeare's Phraseology. MALONE. 5 I see what crosses I have debated, &c.] On these stanzas Dr. Young might have founded the lines with which he dismisses the prince of Egypt, who is preparing to commit a similar act of violence, at the end of the third act of Busiris: "Destruction full of transport! Lo I come "Swift on the wing to meet my certain doom: "I plunge triumphant my devoted head, “And dote on death in that luxurious bed." STEEVENS. This said, he shakes aloft his Roman blade, Harmless Lucretia, marking what he tells, With trembling fear, as fowl hear faulcon's bells". Lucrece, quoth he, this night I must enjoy thee: So thy surviving husband shall remain 8 Thy kinsmen hang their heads at this disdain, 6 sure: like a FAULCON towering in the skies, COUCHETH the FOWL below -] So, in Measure for Mea 'Nips youth i' th' head, and follies doth enmew "As faulcon doth the fowl." I am not certain but that we should read-Cov'reth. To couch the fowl may, however, mean, to make it couch; as to brave a man, in our author's language, signifies either to insult him, or to make him brave, i. e. fine. So, in The Taming of the Shrew: " thou hast brav'd many men; brave not me." Petruchio is speaking to the taylor. STEEVENS. So, more appositely, in Coriolanus: "Flutter'd your Volces in Corioli." BOSWELL. 7 as FOWL hear FAULCON'S BELLS.] So, in King Henry VI. Part III.: 8 not he that loves him best "Dares stir a wing, if Warwick shake his bells." STEEVENS, THE SCORNFUL MARK of every open eye ;] So, in Othello: 66 9 Thy issue blurr'd with NAMELESS bastardy:] So, in the Two Shalt have thy trespass cited up in rhymes', But if thou yield, I rest thy secret friend: The poisonous simple sometimes is compacted Gentlemen of Verona: "That's as much as to say bastard virtues, that indeed know not their father's names, and therefore have no names." The poet calls bastardy nameless, because an illegitimate child has no name by inheritance, being considered by the law as nullius filius. MALONE. ' Shalt have thy TRESPASS CITED up in rhymes,] So, in King Henry IV. Part I.': "He made a blushing cital of his faults." Again, in The Two Gentlemen of Verona : for we cite our faults.” STEEVENS. 2 Shalt have thy trespass CITED UP in RHYMES, 66 AND SUNG by children in succeeding times.] So, in King Richard III.: 66 Thence we looked towards England, "And cited up a thousand heavy times." Again, in Antony and Cleopatra: 66 Saucy lictors "Will catch at us like strumpets, and scald rhymers Qui me commôrit, (melius non tangere, clamo,) Thus elegantly imitated by Pope: "Whoe'er offends, at some unlucky time ،، Slides into verse, and hitches in a rhyme ; “ And the sad burthen of some merry song." MALONE. 3 In A PURE Compound-] Thus the quarto. The edition of 1616 reads : "In purest compounds." MALONE. A thought somewhat similar occurs in Romeo and Juliet: STEEVENS. |