Encyclopædia of Religion and Ethics: Hymms-LibertyJames Hastings, John Alexander Selbie, Louis Herbert Gray T. & T. Clark, 1915 Scope: theology, philosophy, ethics of various religions and ethical systems and relevant portions of anthropology, mythology, folklore, biology, psychology, economics and sociology. |
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Seite 7
... period of their author , and these , no less than the poems of Gregory , exhibit an individualistic spirit and a technical structure incompatible with their liturgical use . In the Byzantine period the classical metres sometimes ...
... period of their author , and these , no less than the poems of Gregory , exhibit an individualistic spirit and a technical structure incompatible with their liturgical use . In the Byzantine period the classical metres sometimes ...
Seite 17
... period we de- rive from the monastic rules of Benedict , and of Aurelian and Cæsarius of Arles , which show us a small number of hymns as existent in the 6th cent . , and the Latin hymn almost completely transformed into the monastic ...
... period we de- rive from the monastic rules of Benedict , and of Aurelian and Cæsarius of Arles , which show us a small number of hymns as existent in the 6th cent . , and the Latin hymn almost completely transformed into the monastic ...
Seite 18
... period , down to the time of Gregory himself , almost absolute silence prevails on the subject.2 The greatest and most conspicuous figure of this period is Venantius Honorius Clementianus Fortunatus , who was made bishop of Poitiers in ...
... period , down to the time of Gregory himself , almost absolute silence prevails on the subject.2 The greatest and most conspicuous figure of this period is Venantius Honorius Clementianus Fortunatus , who was made bishop of Poitiers in ...
Seite 20
... period , as throughout the whole of the Middle Ages , metre holds its ground , but , like rhythm , it is re - modelled and re - moulded in the disguise of the most variable and purely ornamental forms.1 One of the most famous hymn ...
... period , as throughout the whole of the Middle Ages , metre holds its ground , but , like rhythm , it is re - modelled and re - moulded in the disguise of the most variable and purely ornamental forms.1 One of the most famous hymn ...
Seite 21
... period when rhymeless rhythms were in vogue from whose hand we have a greater number of proses ' than Gottschalk . He writes in a very peculiar style . He is especially fond of the figures known as enumeratio , poly- ptoton , ' and ...
... period when rhymeless rhythms were in vogue from whose hand we have a greater number of proses ' than Gottschalk . He writes in a very peculiar style . He is especially fond of the figures known as enumeratio , poly- ptoton , ' and ...
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906 | |
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