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A Principle of Prosody. The Freeman, Apr. 26, 1922, V, 162. 382. KERL. Hendiadyoin bei Shakespeare. MS Diss., Marburg, 1922. 383. KLINGER, Gertrud. Euphuistische Elemente in Shakespeares Prosa. MS Diss., Breslau, 1922. 4to. pp. 183. Summary, Breslau, 1922. 8vo. pp. 2. 384. Literary Review, The. American Style, Dec. 9, 1922, p. 285. 385. LOWELL, AMY. Is there a Reaction? Lit. Review, Aug. 12, 1922, pp. 865–6. On verse. 385 a. MAYNARD, THEODORE. The Fallacy of Free Verse. Yale Review, Jan. 1922, n.s., XI, 354-66. 386. MEIER, HERMANN. Die Strophenform in den englischen Mysterienspielen. Diss., Freiburg i. B.: Rebholz, 1921. 8vo. pp. 70. 387. MONTAGUE, C. E. "Only Too Clear." North Amer. Review, Apr. 1922, CCXV, 509-18. 387 a. MORRIS, A. R. The Free-Verse Cult. Lit. Review, July 22, 1922, pp. 830-1. 388. MURRY, J. MIDDLETON. The Problem of Style. Milford, 1922. 7 × 54. pp. viii, 148. 6s. 6d. Contents: 1. The Meaning and Psychology of Style; 2. Poetry and Prose; 3. 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Reviewed in The New Statesman, March 4, 1922, XVIII, 624; in The Spectator, March 11, 1922, CXXVIII, 316–7; in The Nation-Athen. by J. Middleton Murry, Feb. 25, 1922, XXX, 798–800; in T.L.S., Jan. 26, 1922; cf. W. Η. Grattan Flood in T.L.S., Corr., Feb. 9; in N. and Q., Jan. 14, X, 40. 409. Essays and Studies by Members of. Vol. VIII: Collected by G. C. Moore Smith. Oxford: Univ. Press, Milford, 1922. Members, 3s. 6d. Contents: Tragedy, by J. S. Smart; The Felon Sew, by George H. Cowling; On the Meanings of Certain Terms in the Anglo-Saxon |