Architecture from the Outside: Essays on Virtual and Real Space

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MIT Press, 22.06.2001 - 248 Seiten
Essays at the intersection of philosophy and architecture explore how we understand and inhabit space.

To be outside allows one a fresh perspective on the inside. In these essays, philosopher Elizabeth Grosz explores the ways in which two disciplines that are fundamentally outside each another—architecture and philosophy—can meet in a third space to interact free of their internal constraints. "Outside" also refers to those whose voices are not usually heard in architectural discourse but who inhabit its space—the destitute, the homeless, the sick, and the dying, as well as women and minorities. Grosz asks how we can understand space differently in order to structure and inhabit our living arrangements accordingly. Two themes run throughout the book: temporal flow and sexual specificity. Grosz argues that time, change, and emergence, traditionally viewed as outside the concerns of space, must become more integral to the processes of design and construction. She also argues against architecture's historical indifference to sexual specificity, asking what the existence of (at least) two sexes has to do with how we understand and experience space. Drawing on the work of such philosophers as Henri Bergson, Roger Caillois, Gilles Deleuze, Jacques Derrida, Luce Irigaray, and Jacques Lacan, Grosz raises abstract but nonformalistic questions about space, inhabitation, and building. All of the essays propose philosophical experiments to render space and building more mobile and dynamic.

 

Ausgewählte Seiten

Inhalt

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XII
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XIII
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XIV
106
XVI
130
XVII
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XVIII
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XXI
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XXII
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Urheberrecht

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Beliebte Passagen

Seite 189 - The body is no longer the obstacle that separates thought from itself, that which it has to overcome to reach thinking. It is on the contrary that which it plunges into or must plunge into, in order to reach the unthought, that is life.
Seite 33 - The ego is first and foremost a bodily ego; it is not merely a surface entity but is itself the projection of a surface.
Seite 169 - Wain" would be more true than "Dipper." My friend Frederick Myers was humorously indignant that that prodigious star-group should remind us Americans of nothing but a culinary utensil. What shall we call a thing anyhow? It seems quite arbitrary, for we carve out everything, just as we carve out constellations, to suit our human purposes. For me, this whole "audience" is one thing, which grows now restless, now attentive. I have no use at present for its individual units, so I don't consider them....
Seite 38 - It ends by replacing them. Then the body separates itself from thought, the individual breaks the boundary of his skin and occupies the other side of his senses. He tries to look at himself from any point whatever in space. He feels himself becoming space, dark space where...
Seite 130 - I identify myself in language, but only by losing myself in it like an object. What is realized in my history is not the past definite of what was, since it is no more, or even the present perfect of what has been in what I am, but the future anterior of what I shall have been for what I am in the process of becoming.
Seite 56 - left' itself in its own being as early as the nineteenth century; it is no longer theoretical. As soon as it functions it offends or reconciles, attracts or repels, breaks, dissociates, unites or reunites; it cannot help but liberate and enslave.
Seite 144 - When men go to buy a colt, where they are risking only a little money, they are so cautious that, though the animal is almost bare, they won't close the deal until the saddle and blanket have been taken off, lest there be a hidden sore underneath.

Autoren-Profil (2001)

Elizabeth Grosz is the Julian Park Chair in Humanities at the State University of New York at Buffalo.

Bibliografische Informationen