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Miseries of Confinement.

tle, or chemic power turn thy sceptre into iron--with thee to smile upon him as he eats his crust, the swain is happier than his monarch, from whose court thou art exiled-Gracious heaven! cried I, kneeling down upon the last step but one in my ascent, grant me but health, thou great Bestower of it, and give me but this fair goddess as my companion-and shower down thy mitres, if it seems good unto thy divine providence, upon those heads which are aching for them.

THE CAPTIVE.

PARIS.

room;

THE bird in his cage pursued me into my I sat down close to my table, and leaning my head upon my hand, I began to figure to myself the miseries of confinement. I was in a right frame for it, and so I gave full scope to my imagination.

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I was going to begin with the millions of my fellow-creatures, born to no inheritance but slavery: but finding, however affecting the picture was, that I could not bring it near me, and that the multitude of sad groups in it did but distract

me

Commiseration.

-I took a single captive,* and having first shut him up in his dungeon, I then look'd through the twilight of his grated door to take his picture.

I beheld his body half wasted away with long expectation and confinement, and felt what kind of sickness of the heart it was which arises from hope deferr'd. Upon looking nearer I saw him pale and feverish: in thirty years the western breeze had not once fann'd his blood-he had seen no sun, no moon, in all that time-nor had the voice of friend or kinsman breathed through his lattice-his children

But here my heart began to bleed-and I was forced to go on with another part of the portrait.

He was sitting upon the ground upon a little straw, in the furthest corner of his dungeon, which was alternately his chair and bed: a little calendar of small sticks were laid at the head, notch'd all over with the dismal days and nights he had passed there he had one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap.

* It is hardly possible to do justice to the high colouring of this little story, nor is it easy to determine who is more intitled to our applause-Sterne, in the highly wrought up description, or Sir Joshua Reynolds for his inimitable picture of Count Ugolino.

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Intended Visit.

As I darkened the little light he had, he lifted up a hopeless eye towards the door, then cast it down-shook his head, and went on with his work of affliction. I heard his chains upon his legs, as he turned his body to lay his little stick upon the bundle. He gave a deep sigh-I saw the iron enter into his soul-I burst into tears-I could not sustain the picture of confinement which my fancy had drawn--I started up from my chair,* and calling La Fleur, I bid him bespeak me a remise, and have it ready at the door of the hotel by nine in the morning.

-I'll go directly, said I, myself to monsieur le Duc de Choiseul.

La Fleur would have put me to bed; but not willing he should see any thing upon my cheek which would cost the honest fellow a heart-ache -I told him I would go to bed by myself-and bid him go do the same.

THE STARLING.

ROAD TO VERSAILLES.

I GOT into my remise the hour I promised: La Fleur got up behind, and I bid the coachman make the best of his way to Versailles.

* Our author here gives a lively description of that mysterious and powerful influence which the mind can exercise

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