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Jarvis dying without issue, his estate all went to a mau named Doe, " a gardener, at Greg's Pit," whose sons and grandsons spent the last penny of it in riotous living. So there is now "nothing to show for" that money, for the steal ing of which one man was tried for his life, and another man made mayor of Chester; which would all come in capitally in a ballad, if a ballad-monger chose.

Of the famous Chester Rows, nobody has ever yet contrived to give a description intelligible to one who had not seen them. The more familiarly they are known, the more fantastic and bewildering they seem, and the less one is sure how to speak of them. Whether it is that the sidewalk goes up-stairs, or the front second-story bed-room comes down into the street; whether the street itself be in the basement or the cellar, or the sidewalk be on the roofs of the houses; where any one of them all begins or leaves off, it would be a courageous narrator that tried to explain. They appear to have been as much of a puzzle two hundred years ago as to-day; for the devout old chronicler of the ValeRoyale, essaying to describe them, wrote the following paragraph, which, delicious as it is to those who know Chester, I think must be a stumbling-block and foolishness to those who do not. He says there is "a singular property of praise to this city, whereof I know not the like of any other: there be towards the street fair rooms, both for shops and dwelling-houses, to which there is rather a descent than an equal height with the floor or pavement of the street. Yet the principal dwelling-houses and shops for the chiefest Trades are mounted a story higher, and before the Doors and Entries a continued Row, on either side the street, for people to pass to and fro all along the said houses, out of all annoyance of Rain, or other foul weather, with stairs fairly built, and neatly maintained to step down out of those

Rowes into the open streets: almost at every second house and the said Rowes built over the head with such of the Chambers and Rooms for the most part as are the best rooms in every one of the said houses.

"It approves itself to be of most excellent use, both for dry and easy passage of all sorts of people upon their necessary occasions, as also for the sending away, of all or the most Passengers on foot from the passage of the street, amongst laden and empty Carts, loaden and travelling Horses, lumbering Coaches, Beer Carts, Beasts, Sheep, Swine, and all annoyances, which what a confused trouble it makes in other cities, especially where great stirring is, there's none that can be ignorant."

He also suggests another advantage of this arrangement, which seems by no means unlikely to have been part of its original reason for being, namely, that "when the enemy entered they might avoid the danger of the Horsemen, and might annoy the Enemies as they passed through the Streets." Probably in this writer's day the marvel of the construction of the Rows was even greater than it is now; in many instances the first story was excavated out of solid rock, so you began by going down-stairs at the outset. These first stories of the ancient Cestrians are beneath the cellars of the Rows to-day; and every now and then, in deepening a vault or cellarway, workmen come on old Roman altars, built there by the " "Legyons" of Julius or Claudius Caesar, dedicated to "Nymphs and Fountains," or other genii of the day; baths, too, with their pillars and perforated tiles still in place, as they were in the days when cleanly and luxurious Roman soldiers took Turkish baths there, after hot victories. Knowing about these lower strata adds a weird charm to the fascination of strolling along in the balconies above, looking in, now at a jeweler's window, now at a smart haberdashery shop, now at some

neat housekeeper's bedroom window, now into a mysterious chink-like passage-way winding off into the heart of the building; and then, perhaps, presto! descending a staircase, a few feet, to another tier of similar shop windows, domiciles, garret alleys, and dormer-window bazars; and the next thing, plump down again, ten feet or so more, into the very street itself. Indeed are they, as the Vale-Royale says, "a singular property of praise to this city, whereof I know not the like of any other."

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One manifest use and enjoyment of this medley of in and out, up and down, above and below, balconies, basements, attics, dormer windows, gables, and casements, the old chronicler failed to mention, but there can never have been a day or a generation which has not discovered it, and that is the convenient overlooking of all that goes on in the street below. What rare and comfortable nooks for the spying on processions, and all manner of shows and spectacles! To sit snug in one's best chamber, ten feet above the street, ten feet out into it, with windows looking up and down the highway, what vantage it must have been in the days when the Miracle Plays went wheeling along from street to street, played on double scaffolded carts; the players attiring themselves on the lower scaffold, while the play was progressing on the upper! They began to do this in Chester in the year of our Lord 1268. There were generally in use at one time, twenty-four of the wheeled stages: as soon as one play was over, its stage was wheeled along to the next street, and another took its place. The plays were called Mysteries, and were devised for the giving of instruction in the Old and New Testament, which had been so long sealed books to the people. Luther gave them his sanction, saying, "Such spectacles often do more good and produce more impression than sermons."

and interesting entries in regard to these plays. The different trades and guilds of the city represented different acts in the holy dramas:

The Barkers and Tanners, The Fall of Lucifer.

Drapers and Hosiers, The Creation of the World.

Drawers of Dee and Water Leaders, Noe and his Shippe.

Barbers, Wax Chandlers, and Leeches, Abraham and Isaac.

Cappers, Wire Drawers, and Pinners, Balak and Balaam with Moses.

Wrights, Slaters, Tylers, Daubers, and Thatchers, The Nativity.

In 1574 these plays were played for the last time. There had been several attempts before to suppress them. One Chester mayor, Henry Hardware by name, being a "godly and zealous man, caused the gyauntes in the midsomer show to be broken up, not to go; and the devil in his feathers he put awaye, and the caps, and the canes, and dragon and the naked boys."

But it was reserved for another mayor, Sir John Savage, Knight, to have the honor of finally putting an end to the pageants." Sir John Savage, knight, being Mayor of Chester, which was the laste time they were played, and we praise God, and praye that we see not the like profanation of holy Scriptures, but O, the mercie of God for the time of our ignorance!" says an old history, written in 1595.

At intervals between these pious suppressions, carnal and pleasure - loving persons made great efforts to restore the plays; and there are some very curious accounts of expenditures made in Chester, under mayors less godly than Hardware and Savage, for the rehabilitation of some of the old properties of the sacred pageants: "For finding all the materials with the workmanship of the four great giants, all to be made new, as neere as may be, lyke as they were The old chronicles are full of quaint before, at five pounds a giant, the least

that can be, and four men to carry them at two shillings and sixpence each."

These redoubtable giants, which could not be made at less than five pounds apiece, were constructed out of "hoops, deal boards, nails, pasteboards, scaleboard, paper of various sorts, buckram size cloth, old sheets for their bodies, sleeves and shirts, tinsille, tinfoil, gold and silver leaf, colors of different kinds, and glue in abundance." Last, not least, came the item, "For arsknick to put into the paste to save the giants from being eaten by the rats, one shilling and fourpence."

It is at first laughable to think of a set of city fathers summing up such accounts as these for a paper baby show, but upon second thought the question occurs whether city funds are any better administered in these days. The paper giants, feathered devils, and dragons. were cheaper than champagne suppers and stationery nowadays in "hede and chefe" cities.

When the Mystery Plays were finally forbidden, it seemed dull times for a while in Chester; but at last the people contrived an ingenious resuscitation of the old amusements under new names, and with new themes, to which nobody could object. They dramatized old stories, legends, histories of kings, and the like. The story of Eneas and Queen Dido was one of the first played. No doubt all the "gyauntes" and hobblede-horses which had not been eaten up by rats and moths came in as effectively in the second dispensation as in the first. The only one of the later plays of which an account has been preserved was played in 1608, in honor of the old est son of James I., by the sheriff of Chester, who himself wrote a flaming account of it.

He says, "Zeal produced it, love devized it, boyes performed it, men beheld it, and none but fools dispraised it. . . . The chiefest part of this people-pleasing spectacle consisted in three VOL. LIII. —No. 315. 2

Bees, that is, Boyes, Beastes, and Bels." Allegory, mythology, music, fireworks, and ground and lofty tumbling were jumbled together in a fine way, in the sheriff's show. Envy was on horseback with a wreath of snakes around her head; Plenty, Peace, Fame, and Joy were personated; Mercury came down from heaven with wings, in a cloud; a "wheele of fire burning very cunningly, with other fireworks, mounted the Crosse by the assistance of ropes, in the midst of heavenly melody;" and, to top off with, a grotesque figure climbed up to the top of the Crosse, and stood on his head, with his feet in the air, "very dangerously and wonderfully to the view of the beholders, and casting fireworks very delightfull."

Truly, the sheriff's language seems hardly too strong, when he says that none but fools dispraised his spectacle.

These secular shows never attained the popularity of the old Mystery Plays. That mysterious halo of attraction which always invests the forbidden undoubt edly heightened the reputed charm of the never-more-to-be-seen sacred pageants, and led people to continually depreciate the value of all entertainments offered as substitutes for them. Probably in the midst of the heavenly melodies and "fireworks very delightfull," at the sheriff's grand show, old men went about shaking their heads regretfully, and saying, "Ah, but you should have seen the gyaunts we used to have forty years ago, and the way they played the Fall of Lucifer in 1574; there's never been anything like it since;" and immediately all the young people who had never seen a Miracle Play began to be full of dissatisfied wonder as to what they were like.

But what the shows and pageants lacked in the early days of the seventeenth century, grand processions went a long way towards making up. It is evident that Chester people never missed an occasion for turning out in fine array,

and there being always somebody who took the trouble to write a full account of the parade, we of to-day know almost as much about it as if we had been on the spot. The old chronicles in the Chester public library are running over with quaint and gay stories of such doings as the following: "Came to Chester, being Saturday, the Duchess of Tremoyle, from France, mother-in-law to the Lord Strange and all the Gentry of Cheshier, Flintshier, and Denbighshier went to meet her at Hoole's Heath, with the Earl of Derby; being at least six hundred horse. All the Gentle Men of the artelery yard lately erected in Chester, met her in Cow Lane, in very stately manner, all with greate white and blew fethers, and went before her chariot, in march, to the Bishop's Pallas, and making a yard, let her thro the middest, and then gave her three volleys of shot, and so returned to their yard. . . . So many knights, esquires, and Gentle Men never were in Chester, no, not to meet King James when he went to Chester."

This Cow Lane is now called Frodsham Street; and on one of its corners is the building in which William Penn, in his day, preached more than once, setting forth doctrines which the Duchess of Tremoyle would have much disrelished in her day, as would also the artelery Gentle Men with their greate white and blew fethers. King James himself is said to have once dropped in at this Quaker meeting-house, when Penn was preaching, and to have sat, attentive, through the entire discourse.

And so we come down through the centuries, from the pasteboard gyaunt and glued dragon, winged Mercury with fire-wheel, Duchess of Tremoyle with her plumed horsemen, to the grim but gentle Quaker, holding feathers pernicious, plays deadly, and permitting to the people nothing but plain yea and nay. Of all this, and worlds more like it, and gayer and wilder, sadder, too, is the Chester air so brimful that, as

I said in the beginning, it seems perpetually to go lilting about one's ears.

Leaving the library, with its quaint and fascinating old records, and turning aside at intervals from the more ancient landmarks of the streets to observe the ways and conditions of the Cestrians now, the traveler is no less repaid. Every rod of the sidewalk is a study for its present as well as for its past. The venders are a guild by themselves, as much to-day as they were in the sixteenth century. They build up their stuffs, their old chairs, chests, brooms, crockery, and tinware, in stacks of confusion, in shelf-like balconies, on beams hanging overhead and in corners and nooks underfoot, all along the most ancient of the Rows. It is a piece of good luck to walk past half a dozen doors there without jostling something on the right or left, and bringing down a clattering pile on one's heels. From shadowy recesses, men and women eager for trade dart out, eying the stranger sharply. They are connoisseurs in customers, if in nothing else, the Cestrian dealers of to-day. They know at a glance who will give ten shillings and sixpence for a cream jug without any nose and with a big crack in one side, on the bare chance of its being old Welsh. There is much excuse for their spreading out their goods over the highway, as they do, for the shops themselves are closets, six by eight, eight by ten; ten by twelve is a spacious mart, in comparison with the average. Deprived of the outside nooks between the pillars of the arcade, the dealers would be sorely put to it for room. It is becoming, however, a disputed question, whether the renting of these shops includes any right to the covered ways in front of them; and there is great anxiety among the inhabitants of the more dilapidated portions of the Rows in consequence.

"There's a deespute with the corporation, mem, as to whether we hown the stalls or not," said an energetic furni

ture-wife (if fish-wife, why not furniturewife?) to me one day, as I was laughingly steering a cautious passage among her shaky pyramids of fourth or twentieth hand furniture. "It's lasted a while now, an' they 've not forced us to give 'em hup as yet; but I'm afeard they may bring it about," she added, with the dogged humility of her class. "They 've everything their own way, the corporation."

It is worth while to take a turn down some of the crevice-like alleys in these Rows, and see where the people live; see also where the nobility gets part of its wherewithal to eat, drink, and be clothed.

Often there is to be seen at the far end of these crevices a point of sunlight; like the gleaming point of light seen ahead, in going through a rayless tunnel. This betokens a tiny court-yard in the rear. These court-yards are always well worth seeing. They are paved, sometimes with tiles evidently hundreds of years old. The different properties of the dozens of families living in tenements opening on the court are arranged around its sides, apparently each family keeping scrupulously to its own little hand'sbreadth of room; frequently a tiny flower-bed, or a single plant in a pot, gives a gleam of cheer to the place. In such a court-yard as this, I found, one morning, a yellow-haired, blue-eyed little maid, scrubbing away for dear life, with a broom and soap-suds, on the old tiles. She was not over nine years old; her bare legs and feet were pink and chubby, and she had a smile like a sunbeam.

"I saw the sun shining in here so brightly, that I walked up the alley to see how it got in," I said to her.

"Yes, mem," she said, with a courtesy. "It do shine in here beautiful," and she looked up at the sky, smiling. "Have you lived here long?" I asked. "About nine months, mem. I'm only in service, mem," she continued with a deprecating courtesy, modestly

anxious to disclaim the honor of having any proprietary right in the place.

"We've five rooms, mem," she went on. "It's a very nice lodging, if you'd like to see it ;" and she threw open a door into an infinitesimal parlor, out of which opened a still smaller dining-room, lighted only by a window in the parlor door. There were two bedrooms above, reached by a nearly upright stairway, not over two feet wide. The fifth room was a "beautiful washroom," which the little maiden exhibited with even more pride than she had shown the parlor. "It's three families has it together, mem," she explained. "It's a great thing to get a washroom. And we've a coal-hole, too, mem," she said eagerly; "you passed it, coming up," and she stepped a few paces down the alley and threw open a door into a rayless place, possibly five by seven feet in size. "It used to be a bedroom, mem, to the opposite house; but it's empty now, so we gets it for coal." I could not take my

eyes

from the child's face, as she prattled and pattered along. She looked like an angel. Her face shone with loyalty, pride, and happiness. I envied the poverty-stricken dwellers in this court their barefooted handmaiden, and would have taken her then and there, if I could, into my own service for her lifetime. As we stood talking, another door opened, and a grizzled old head popped out.

"Good-morning, mem," said the child, cheerily, making the same respectful courtesy she had made to me. "I'm just showin' the lady what nice lodgin's we 've 'ere in the court."

"Humph," said the old woman gruffly, as she tottered out, leaving her door wide open, 66 they're nothin' to boast

of."

Her own lodging certainly was not. It was literally little more than a chamber in the wall: it had no window, except one small square pane above the door. You could hardly stand upright

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