Post-Colonial ShakespearesAnia Loomba, Martin Orkin Routledge, 16.12.2003 - 320 Seiten Postcolonial Shakespeares is an exciting step forward in the dialogue between postcolonial studies and Shakespearean criticism. This unique volume features original work by some of the leading critics within the growing field of Shakespeare studies and is the most authoritative collection on this topic to date. This study explores: * the colonial and racial discourses emerging in early modern Britain * how the Shakespearean text later became a colonial battlefield * how Shakespeare circulates in our post- and neo-colonial world today This collection of new essays traces the connections between early modern and contemporary vocabularies of colonization, 'race' and nationhood. |
Inhalt
Introduction Shakespeare and the postcolonial question | 1 |
Part 1 | 21 |
This Tunis sir was Carthage Contesting colonialism in The Tempest | 23 |
A most wily bird Leo Africanus Othello and the trafficking in difference | 43 |
These bastard signs of fair Literary whiteness in Shakespeares sonnets | 64 |
Tis not the fashion to confess ShakespearePostcolonialityJohannesburg 1996 | 84 |
Nation and place in Shakespeare The case of Jerusalem as a national desire in early modern English drama | 98 |
Bryn Glas | 117 |
Postcolonial Shakespeare? Writing away from the centre | 164 |
Possessing the book and peopling the text | 186 |
Shakespeare and Hanekom King Lear and land A South African perspective | 205 |
From the colonial to the postcolonial Shakespeare and education in Africa | 218 |
Shakespeare psychoanalysis and the colonial encounter The case of Wulf Sachss Black Hamlet | 235 |
Shakespeare and theory | 259 |
| 277 | |
| 299 | |
Part 2 | 141 |
Localmanufacture madeinIndia Othello fellows Issues of race hybridity and location in postcolonial Shakespeares | 143 |
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Häufige Begriffe und Wortgruppen
African appropriate argued attempt authority beauty become begin body called century Christian claims colonial colour complex concept concern contemporary context continues course critics cultural discourse discussion dominant early modern effect Elizabethan Empire encounter England English English studies essay European example fact fairness figure Freud gender Geographical Hamlet human hybridity idea identity ideology imperial important intellectual interest issues Jerusalem John kind King land language least less literary living Marxism material means narrative nature neo-colonialism notes Oedipus Othello particular past period play political position possible post-colonial present production question race racial radical rape reading recent reference relation remains Sachs seems sense Shakespeare significant situation social societies sonnets South Africa specific structural studies suggests Tempest theory tion tradition turn universal Welsh Western writing young