The Daguerreotype, Band 3J. M. Whittemore, 1849 |
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Seite 7
... tell you whether a question is to be or not to be . They no longer cram their sen- tences so unmercifully full before they clap on the lid of the final verb ; though , of course , a regular long - winded set still survives , especial ...
... tell you whether a question is to be or not to be . They no longer cram their sen- tences so unmercifully full before they clap on the lid of the final verb ; though , of course , a regular long - winded set still survives , especial ...
Seite 18
... tell us , their Christmas morn- ing was like a July morning in England . But then the legacy of vermin was before them . The plagues of Egypt have not yet spent their force . Begging is a prevalent vice of the modern Egyptians , even ...
... tell us , their Christmas morn- ing was like a July morning in England . But then the legacy of vermin was before them . The plagues of Egypt have not yet spent their force . Begging is a prevalent vice of the modern Egyptians , even ...
Seite 19
... tell us who are below - what was doing in the depths of the old ages . He did so stand , and he did fully tell what he saw ; but his words are gone to the four winds , and but a few unconnected declarations have reached us . 99 How came ...
... tell us who are below - what was doing in the depths of the old ages . He did so stand , and he did fully tell what he saw ; but his words are gone to the four winds , and but a few unconnected declarations have reached us . 99 How came ...
Seite 20
... tell him how these mighty Egyptians had been slaves , as his Hebrew breth- ren yoke of their bondage , and risen into a powerful now were , and how they had cast off the nationality , by driving out the foe who had op- pressed them for ...
... tell him how these mighty Egyptians had been slaves , as his Hebrew breth- ren yoke of their bondage , and risen into a powerful now were , and how they had cast off the nationality , by driving out the foe who had op- pressed them for ...
Seite 25
... tell nothing regarding the progress of their old inhabitants in arts and science . - Petra was by what we see now . It is natural to suppose a sort of immutability in a rock fastness like this ; but we see here how much depends on the ...
... tell nothing regarding the progress of their old inhabitants in arts and science . - Petra was by what we see now . It is natural to suppose a sort of immutability in a rock fastness like this ; but we see here how much depends on the ...
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appears aristocracy arms army Austria Barnim beautiful Beja called cause character Charles cholera church command court Daguerreotype death Duke England English eyes Fairfax father favor fear feel fire Fraser's Magazine French garde mobile Germany give hand head heart honor hope horse hundred Hunt Indians island Italy Jesuits jury Keats king labor lady land letter living Lombardy London look Lord Louis Blanc Macfum ment mind Miss Martineau Napier nation nature never night Norfolk Island officers once party passed Pepys poet political poor possession present princely highness prisoners Pursey readers republic Samuel Pepys scene Scindian seems sent Sidonia Sir James Ross soldiers Spain spirit thing thought thousand tion town troops truth whole wife Wolgast words writing young
Beliebte Passagen
Seite 273 - As to the poetical character itself (I mean that sort, of which, if I am anything, I am a member; that sort distinguished from the Wordsworthian, or egotistical Sublime ; which is a thing per se, and stands alone...
Seite 273 - A poet is the most unpoetical of anything in existence, because he has no identity ; he is continually in for, and filling, some other body. The sun, the moon, the sea, and men and women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute ; the poet has none, no identity. He is certainly the most unpoetical of all God's creatures.
Seite 273 - A poet is the most unpoetical of any thing in existence, because he has no Identity — he is continually in for and filling some other Body — The Sun, the Moon, the Sea and Men and Women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute; the poet has none, no identity — he is certainly the most unpoetical of all God's Creatures.
Seite 307 - ... trees ; Bright volumes of vapour through Lothbury glide, And a river flows on through the vale of Cheapside. Green pastures she views in the midst of the dale, Down which she so often has tripped with her pail ; And a single small Cottage, a nest like a dove's, The one only dwelling on earth that she loves. She looks, and her heart is in heaven : but they fade, The mist and the river, the hill and the shade : The stream will not flow, and the hill will not rise, And the colours have all passed...
Seite 468 - CANST thou draw out leviathan with an hook? or his tongue with a cord which thou lettest down? Canst thou put an hook into his nose? or bore his jaw through with a thorn?
Seite 272 - Castle of indolence. My passions are all asleep from my having slumbered till nearly eleven and weakened the animal fibre all over me to a delightful sensation about three degrees on this side of faintness— if I had teeth of pearl and the breath of lillies I should call it langour— but as I am * I must call it Laziness.
Seite 327 - When we could endure no more upon the water, we to a little ale-house on the Bankside, over against the Three Cranes, and there staid till it was dark almost, and saw the fire grow; and, as it grew darker, appeared more and more, and in corners and upon steeples, and between churches and houses as far as we could see up the hill of the City,, in a most horrid malicious bloody flame, not like the fine flame of an ordinary fire.
Seite 46 - PRINCIPLES OF ZOOLOGY; Touching the Structure, Development, Distribution, and Natural Arrangement, of the RACES OF ANIMALS, living and extinct, with numerous Illustrations. For the use of Schools and Colleges. Part I. COMPARATIVE PHYSIOLOGY. By Louis AGASSIZ and AUGUSTUS A. GOULD. Revised edition.
Seite 273 - ... it has no self — it is every thing and nothing — It has no character — it enjoys light and shade; it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated — it has as much delight in conceiving an lago as an Imogen.
Seite 327 - Lord, what can I do? I am spent: people will not obey me. I have been pulling down houses; but the fire overtakes us faster than we can do it.