THE following Poem is founded upon a Spanish Tradition, particularly detailed in the Notes; but bearing, in general, that Don Roderick, the last Gothic King of Spain, when the Invasion of the Moors was impending, had the temerity to descend into an ancient vault, near Toledo, the opening of which had been denounced as fatal to the Spanish monarchy. The legend adds, that his rash curiosity was mortified by an emblematical representation of those Saracens, who, in the year 714, defeated him in battle, and reduced Spain under their dominion. I have presumed to prolong the Vision of the Revolutions of Spain down to the present eventful crisis of the peninsula; and to divide it, by a supposed change of scene, into THREE PERIODS. The FIRST of these represents the Invasion of the Moors, the Defeat and Death of Roderick, and closes with the peaceful occupation of the country by the Victors. The SECOND PERIOD embraces the state of the peninsula, when the conquests of the Spaniards and Portuguese in the East and West Indies had raised to the highest pitch the renown of their arms; sullied, however, by superstition and cruelty. An allusion to the inhumanities of the Inquisition terminates this picture. The LAST PART of the Poem opens with the state of Spain previous to the unparalleled treachery of Buonaparte; gives a sketch of the usurpation attempted upon that unsuspicious and friendly kingdom, and terminates with the arrival of the British succours. It may be farther proper to mention, that the object of the Poem is less to commemorate or detail particular incidents, than to exhibit a general and impressive picture of the several periods brought upon the stage.

I am too sensible of the respect due to the Public, especially by one who has already experienced more than ordinary indulgence, to offer any apology for the inferiority of the poetry to the subject it is chiefly designed to commemorate. Yet I think it proper to mention, that, while I was hastily executing a work, written for a temporary purpose, and on passing events, the task was most cruelly interrupted by the successive deaths of Lord President BLAIR, and Lord Viscount MELVILLE. In those distinguished characters, I had

not only to regret persons whose lives were most important to Scotland, but also whose notice and patronage honoured my entrance upon active life; and I may add, with melancholy pride, who permitted my more advanced age to claim no common share in their friendship. Under such interruptions, the following verses, which my best and happiest efforts must have left far unwor thy of their theme, have, I am myself sensible, an appearance of negligence and incoherence, which, in other circumstances,I might have been able to

remove.

THE

VISION OF DON RODERICK.

e following Poem was published lately in a quarto form by the purchasers of the copy-right, John Ballantyne and Company, Edinburgh, and is inserted in the Edinburgh Annual Register exclusively, with their permission, and for a valuable consideration.

INTRODUCTION.

I.

LIVES there a strain, whose sounds of mounting fire
May rise distinguish'd o'er the din of war,
Or died it with yon Master of the Lyre,
Who sung beleaguer'd Ilion's evil star?
Such, WELLINGTON, might reach thee from afar,
Wafting its descant wide o'er Ocean's range;
Nor shouts, nor clashing arms, its mood could mar,

All as it swell'd 'twixt each loud trumpet-change,
That clangs to Britain victory, to Portugal revenge!

II.

Yes! such a strain, with all o'er-powering measure,
Might melodize with each tumultuous sound,
Each voice of fear or triumph, woe or pleasure,
That rings Mondego's ravaged shores around;
The thundering cry of hosts with conquest crown'd,
The female shriek, the ruin'd peasant's moan,
The shout of captives from their chains unbound,
The foil'd oppressor's deep and sullen groan,
A Nation's choral hymn for tyranny o'erthrown.

III.

But we, weak minstrels of a laggard day,
Skill'd but to imitate an elder page,
Timid and raptureless, can we repay

The debt thou claim'st in this exhausted age?
Thou givest our lyres a theme, that might engage
Those that could send thy name o'er sea and land,
While sea and land shall last; for Homer's rage

A theme; a theme for Milton's mighty handHow much unmeet for us, a faint degenerate band!

IV.

Ye mountains stern! within whose rugged breast
The friends of Scottish freedom found repose;
Ye torrents! whose hoarse sounds have soothed their rest,
Returning from the field of vanquish'd foes;

Say, have ye lost each wild majestic close,
That erst the choir of bards or druids flung,

What time their hymn of victory arose,

And Cattraeth's glens with voice of triumph rung, And mystic Merlin harp'd, and grey-hair'd Llywarch sung.

V.

O! if your wilds such minstrelsy retain,

As sure your changeful gales seem oft to say,
When sweeping wild and sinking soft again,
Like trumpet-jubilee, or harp's wild sway;
If ye can echo such triumphant lay,
Then lend the note to him has loved
you long!
Who pious gather'd each tradition grey,
That floats your solitary wastes along,
And with affection vain gave them new voice in song.

VI.

For not till now, how oft soe'er the task
Of truant verse hath lighten'd graver care,
From muse or sylvan was he wont to ask,
In phrase poetic, inspiration fair;
Careless he gave his numbers to the air,-
They came unsought for, if applauses came;
Nor for himself prefers he now the prayer;
Let but his verse befit a hero's fame,
Immortal be the verse!-forgot the poet's name.

VII.

Hark, from yon misty cairn their answer tost:
"Minstrel! the fame of whose romantic lyre,
Capricious swelling now, may soon be lost,
Like the light flickering of a cottage fire;

If to such task presumptuous thou aspire,
Seek not from us the meed to warrior due:
Age after age has gather'd son to sire,

Since our grey cliffs the din of conflict knew,
Or, pealing through our vales, victorious bugles blew.

VIII.

"Decayed our old traditionary lore,

Save where the lingering fays renew their ring,
By milk-maid seen beneath the hawthorn hoar,

Or round the marge of Minchmore's haunted spring;
Save where their legends grey-hair'd shepherds sing,
That now scarce win a listening ear but thine,
Of feuds obscure, and border ravaging,

And rugged deeds recount in rugged line,
Of moonlight foray made on Teviot, Tweed, or Tyne.

IX.

"No! search romantic lands, where the near Sun Gives with unstinted boon ethereal flame, Where the rude villager, his labour done,

In verse spontaneous chaunts some favour'd name;
Whether Olalia's charms his tribute claim,

Her eye of diamond, and her locks of jet;
Or whether, kindling at the deeds of Græme,
He sing, to wild Morisco measure set,
Old Albin's red claymore, green Erin's bayonet!

X.

"Explore those regions, where the flinty crest
Of wild Nevada ever gleams with snows,
Where in the proud Alhambra's ruin'd breast
Barbaric monuments of pomp repose;

Or where the banners of more ruthless foes

Than the fierce Moor, float o'er Toledo's fane,
From whose tall towers even now the patriot throws
An anxious glance, to spy upon the plain

The blended ranks of England, Portugal, and Spain.

XI.

"There, of Numantian fire a swarthy spark
Still lightens in the sun-burnt native's eye;
The stately port, slow step, and visage dark,
Still mark enduring pride and constancy.

And, if the glow of feudal chivalry

Beam not, as once, thy nobles' dearest pride,
Iberia! oft thy crestless peasantry

Have seen the plumed Hidalgo quit their side,

Have seen, yet dauntless stood-'gainst fortune fought and died.

VOL. II. PART II.

2 Q