Elements of Criticism: With the Author's Last Corrections and Additions : Vol. I( -II)From the Press of S. Etheridge, for J. White, Thomas & Andrews, W. Spotswood, D. West, W.P. Blake, E. Larkin, & J. West, 1796 - 440 Seiten |
Im Buch
Ergebnisse 1-5 von 63
Seite 8
... emotion raifed by the length or fhortnefs , the roughness or smoothnefs , of the found , resembles in any degree what is raised by * Iralian words , like thofe of Latin and Greek , have this property almoft univerfally : English and ...
... emotion raifed by the length or fhortnefs , the roughness or smoothnefs , of the found , resembles in any degree what is raised by * Iralian words , like thofe of Latin and Greek , have this property almoft univerfally : English and ...
Seite 18
... emotions more peculiarly connected with the fine arts , I propofe to handle in feparate chapters . " Better thus Some emotions more peculiarly con- nected with the fine arts , are propofed to be hand- led in feparate chapters . " 66 I ...
... emotions more peculiarly connected with the fine arts , I propofe to handle in feparate chapters . " Better thus Some emotions more peculiarly con- nected with the fine arts , are propofed to be hand- led in feparate chapters . " 66 I ...
Seite 19
... emotions mix fweetly in the mind and double the pleasure ; * but where the impreffions made by the thought and the words are diffimilar , the unnatural union they are forced into is difagreeable . † This concordance between the thought ...
... emotions mix fweetly in the mind and double the pleasure ; * but where the impreffions made by the thought and the words are diffimilar , the unnatural union they are forced into is difagreeable . † This concordance between the thought ...
Seite 53
... emotions to related objects ; a principle in hu- man nature that hath an extenfive operation : and we find this operation , even where the objects are D3 we I 53 SECT . II . Beauty of Language . who, by the way, are the only enemies ...
... emotions to related objects ; a principle in hu- man nature that hath an extenfive operation : and we find this operation , even where the objects are D3 we I 53 SECT . II . Beauty of Language . who, by the way, are the only enemies ...
Seite 69
... emotion , But muft we then ad- mit , that nothing but found can be imitated by found ? Taking imitation in its proper fenfe , as importing a refemblance between two objects , the propofition must be admitted and yet in many paffages ...
... emotion , But muft we then ad- mit , that nothing but found can be imitated by found ? Taking imitation in its proper fenfe , as importing a refemblance between two objects , the propofition must be admitted and yet in many paffages ...
Häufige Begriffe und Wortgruppen
abftract accent action Æneid againſt agreeable alfo appear beauty becauſe cafe caufe chap circumftance clofe cloſe compariſon compofed compofition confidered connected defcribing defcription Demetrius Phalereus difagreeable diftinguiſhed effect emotions Eneid epic poem epic poetry example expreffed expreffion faid fame fcarce fcene fecond feems fenfe fenfible feparation ferves fhall fhort fyllables fhould fignify figure fimile fingle firft firſt fize fome fpeech ftandard ftill fubftantive fubject fuch fufficient fupport garden hath Hexameter Iliad impreffion inftances inverfion itſelf ject laft language lefs long fyllable melody metaphor mind moſt mufic muft muſt nature neceffary obferved object occafion oppofite ornaments paffage paffing paffion paufe pauſe perfon perfonification pleaſure poem prefent profe proper raifing raiſed reafon refemblance refpect reft reprefentation reprefented rhyme Richard II rule Spondees tafle tafte taſte thefe theſe thing thofe thoſe thou thought tion vafes verfe words