Shakespeare's HamletMaynard, Merrill, & Company, 1902 - 320 Seiten |
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Seite 15
... seem to trace his ' prentice hand ' in many dramas of the time , but the first he is usually thought to have retouched is Titus Andronicus , and , some time after , the First Part of Henry VI . " Love's Labor's Lost , the first of his ...
... seem to trace his ' prentice hand ' in many dramas of the time , but the first he is usually thought to have retouched is Titus Andronicus , and , some time after , the First Part of Henry VI . " Love's Labor's Lost , the first of his ...
Seite 17
... seems to have grown dark . His best friends fell into ruin , Essex per- ished on the scaffold , Southampton went to the Tower , Pembroke was banished from the Court ; he may him- self , as some have thought , have been concerned in the ...
... seems to have grown dark . His best friends fell into ruin , Essex per- ished on the scaffold , Southampton went to the Tower , Pembroke was banished from the Court ; he may him- self , as some have thought , have been concerned in the ...
Seite 19
... life ; we can only guess with regard to his charac- ter . It has been tried to find out what he was from his sonnets and from his plays , but every attempt seems to . be a failure . We cannot lay our hand on INTRODUCTION 19.
... life ; we can only guess with regard to his charac- ter . It has been tried to find out what he was from his sonnets and from his plays , but every attempt seems to . be a failure . We cannot lay our hand on INTRODUCTION 19.
Seite 22
... seems to have been drawn from the Historia Danica of Saxo Grammaticus , a native of El- sinore , who wrote about the end of the twelfth cen- tury ; though the earliest existing edition of his history has the date of 1514. A French ...
... seems to have been drawn from the Historia Danica of Saxo Grammaticus , a native of El- sinore , who wrote about the end of the twelfth cen- tury ; though the earliest existing edition of his history has the date of 1514. A French ...
Seite 36
... seems purposely to have dissociated his play from history by changing nearly every name in the original legend . The motive of the play — revenge as a religious duty belongs only to a social state in which the tradi- tions of barbarism ...
... seems purposely to have dissociated his play from history by changing nearly every name in the original legend . The motive of the play — revenge as a religious duty belongs only to a social state in which the tradi- tions of barbarism ...
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Häufige Begriffe und Wortgruppen
action arras Bernardo blood Cæsar Castle Enter character clown dative dead dear death deed Denmark doth doubt earth Elsinore England English Enter HAMLET euphuism Exeunt Exit Exit Ghost eyes father fear feeling follow Fortinbras friends gentleman Ghost give grief Guil hast hath hear heart heaven Hecuba honor Horatio in't instance is't Jephthah Julius Cæsar Laer Laertes leave live look lord Hamlet madness majesty Marcellus means mind mother murder nature never night noble Norway noun Ophelia Osric passion phrase play players Polonius pray purpose Pyrrhus Queen revenge ROSENCRANTZ and GUILDENSTERN SCENE sense Shakespeare Shakspere Sings soul speak speech spirit sweet Sweet lord sword tell thee There's thine thing thou thought tion tongue twere verb wind Winter's Tale word youth
Beliebte Passagen
Seite 240 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me ! If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
Seite 134 - Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech; Make mad the guilty and appal the free, Confound the ignorant, and amaze, indeed, The very faculties of eyes and ears.
Seite 146 - And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered; that's villainous, and shows a most pitiful ambition in the fool that uses it.
Seite 216 - How absolute the knave is! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? FIRST CLO. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Seite 233 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?
Seite 126 - Your hands, come then: the appurtenance of welcome is fashion and ceremony: let me comply with you in this garb, lest my extent to the players, which, I tell you, must show fairly outward, should more appear like entertainment than yours.
Seite 139 - To die; — to sleep; — To sleep ! perchance to dream ; — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause. There's the respect, That makes calamity of so long life...
Seite 183 - Not where he eats, but where he is eaten. A certain convocation of [politic] worms* are e'en at him. Your worm is your only emperor for diet. We fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service, two dishes, but to one table ; that 's the end.
Seite 86 - Neither a borrower nor a lender be: For loan oft loses both itself and friend; And borrowing dulls the edge of husbandry. This above all, — to thine own self be true; And it must follow, as the night the day, Thou canst not then be false to any man.
Seite 145 - O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who, for the most part, are capable of nothing but inexplicable dumb-shows and noise.