Shakespeare's HamletMaynard, Merrill, & Company, 1902 - 320 Seiten |
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Seite 5
... fibre of one's own mental constitution . And always new re- wards come to the careful reader - in the shape of new meanings , recognition of thoughts he had before missed , 5 of relations between the characters that had hitherto escaped ...
... fibre of one's own mental constitution . And always new re- wards come to the careful reader - in the shape of new meanings , recognition of thoughts he had before missed , 5 of relations between the characters that had hitherto escaped ...
Seite 6
William Shakespeare Brainerd Kellog. of relations between the characters that had hitherto escaped him . For reading Shakespeare is just like ex- amining Nature ; there are no hollownesses , there is no scamped work , for Shakespeare is ...
William Shakespeare Brainerd Kellog. of relations between the characters that had hitherto escaped him . For reading Shakespeare is just like ex- amining Nature ; there are no hollownesses , there is no scamped work , for Shakespeare is ...
Seite 7
... characters of the readers . Shakespeare used the English language with more power than any other writer that ever lived - he made it do more and say more than it had ever done ; he made it speak in a more original way ; and his ...
... characters of the readers . Shakespeare used the English language with more power than any other writer that ever lived - he made it do more and say more than it had ever done ; he made it speak in a more original way ; and his ...
Seite 12
... Characters : Ability to give a connected account of all that is done , and most of what is said by each character in the play . 3. The Influence and Interplay of the Characters upon each other . ( a ) Relation of A to B and of B to A ...
... Characters : Ability to give a connected account of all that is done , and most of what is said by each character in the play . 3. The Influence and Interplay of the Characters upon each other . ( a ) Relation of A to B and of B to A ...
Seite 16
... You Like It , where the time fleets care- lessly , ' and Rosalind's character is the play . Amid all its gracious lightness steals in a new element , and the melancholy of Jaques is the first touch we have of 16 INTRODUCTION.
... You Like It , where the time fleets care- lessly , ' and Rosalind's character is the play . Amid all its gracious lightness steals in a new element , and the melancholy of Jaques is the first touch we have of 16 INTRODUCTION.
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Häufige Begriffe und Wortgruppen
action arras Bernardo blood Cæsar Castle Enter character clown dative dead dear death deed Denmark doth doubt earth Elsinore England English Enter HAMLET euphuism Exeunt Exit Exit Ghost eyes father fear feeling follow Fortinbras friends gentleman Ghost give grief Guil hast hath hear heart heaven Hecuba honor Horatio in't instance is't Jephthah Julius Cæsar Laer Laertes leave live look lord Hamlet madness majesty Marcellus means mind mother murder nature never night noble Norway noun Ophelia Osric passion phrase play players Polonius pray purpose Pyrrhus Queen revenge ROSENCRANTZ and GUILDENSTERN SCENE sense Shakespeare Shakspere Sings soul speak speech spirit sweet Sweet lord sword tell thee There's thine thing thou thought tion tongue twere verb wind Winter's Tale word youth
Beliebte Passagen
Seite 240 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me ! If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
Seite 134 - Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech; Make mad the guilty and appal the free, Confound the ignorant, and amaze, indeed, The very faculties of eyes and ears.
Seite 146 - And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered; that's villainous, and shows a most pitiful ambition in the fool that uses it.
Seite 216 - How absolute the knave is! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? FIRST CLO. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Seite 233 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?
Seite 126 - Your hands, come then: the appurtenance of welcome is fashion and ceremony: let me comply with you in this garb, lest my extent to the players, which, I tell you, must show fairly outward, should more appear like entertainment than yours.
Seite 139 - To die; — to sleep; — To sleep ! perchance to dream ; — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause. There's the respect, That makes calamity of so long life...
Seite 183 - Not where he eats, but where he is eaten. A certain convocation of [politic] worms* are e'en at him. Your worm is your only emperor for diet. We fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service, two dishes, but to one table ; that 's the end.
Seite 86 - Neither a borrower nor a lender be: For loan oft loses both itself and friend; And borrowing dulls the edge of husbandry. This above all, — to thine own self be true; And it must follow, as the night the day, Thou canst not then be false to any man.
Seite 145 - O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who, for the most part, are capable of nothing but inexplicable dumb-shows and noise.