Shakespeare's HamletMaynard, Merrill, & Company, 1902 - 320 Seiten |
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Ergebnisse 1-5 von 78
Seite 17
... queen patron- ized him ; all the best literary society was his own . He had rescued his father from poverty , bought the best house in Stratford and much land , and was a man of wealth and comfort . Suddenly all his life seems to have ...
... queen patron- ized him ; all the best literary society was his own . He had rescued his father from poverty , bought the best house in Stratford and much land , and was a man of wealth and comfort . Suddenly all his life seems to have ...
Seite 18
... Queen Elizabeth . It contains all the great tragedies , and opens with the fate of Hamlet , who felt , like the poet himself , that ' the time was out of joint . ' Hamlet , the dreamer , may well represent Shakespeare , as he stood ...
... Queen Elizabeth . It contains all the great tragedies , and opens with the fate of Hamlet , who felt , like the poet himself , that ' the time was out of joint . ' Hamlet , the dreamer , may well represent Shakespeare , as he stood ...
Seite 24
... Queen , whose conscience and heart do not begin to speak until they are appealed to in the directest and strongest way by Hamlet himself and by tragical events . " - Meiklejohn . CRITICAL OPINIONS " The universality of Shakespeare's ...
... Queen , whose conscience and heart do not begin to speak until they are appealed to in the directest and strongest way by Hamlet himself and by tragical events . " - Meiklejohn . CRITICAL OPINIONS " The universality of Shakespeare's ...
Seite 47
... Queen's apostrophe to Ophelia on throwing flowers into the grave . . . . Shakespeare was thoroughly a master of the mixed motives of human character , and he here shows us the Queen , who was so criminal in some respects , not without ...
... Queen's apostrophe to Ophelia on throwing flowers into the grave . . . . Shakespeare was thoroughly a master of the mixed motives of human character , and he here shows us the Queen , who was so criminal in some respects , not without ...
Seite 53
... queen , who , fallen as she is , feels the influence of her simple and happy virgin purity . Amid the frivolity , flattery , fawning , and artifice of a corrupted court , she moves in all the unpolluted love- liness of nature . She is ...
... queen , who , fallen as she is , feels the influence of her simple and happy virgin purity . Amid the frivolity , flattery , fawning , and artifice of a corrupted court , she moves in all the unpolluted love- liness of nature . She is ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action arras Bernardo blood Cæsar Castle Enter character clown dative dead dear death deed Denmark doth doubt earth Elsinore England English Enter HAMLET euphuism Exeunt Exit Exit Ghost eyes father fear feeling follow Fortinbras friends gentleman Ghost give grief Guil hast hath hear heart heaven Hecuba honor Horatio in't instance is't Jephthah Julius Cæsar Laer Laertes leave live look lord Hamlet madness majesty Marcellus means mind mother murder nature never night noble Norway noun Ophelia Osric passion phrase play players Polonius pray purpose Pyrrhus Queen revenge ROSENCRANTZ and GUILDENSTERN SCENE sense Shakespeare Shakspere Sings soul speak speech spirit sweet Sweet lord sword tell thee There's thine thing thou thought tion tongue twere verb wind Winter's Tale word youth
Beliebte Passagen
Seite 240 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me ! If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
Seite 134 - Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech; Make mad the guilty and appal the free, Confound the ignorant, and amaze, indeed, The very faculties of eyes and ears.
Seite 146 - And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered; that's villainous, and shows a most pitiful ambition in the fool that uses it.
Seite 216 - How absolute the knave is! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? FIRST CLO. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Seite 233 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?
Seite 126 - Your hands, come then: the appurtenance of welcome is fashion and ceremony: let me comply with you in this garb, lest my extent to the players, which, I tell you, must show fairly outward, should more appear like entertainment than yours.
Seite 139 - To die; — to sleep; — To sleep ! perchance to dream ; — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause. There's the respect, That makes calamity of so long life...
Seite 183 - Not where he eats, but where he is eaten. A certain convocation of [politic] worms* are e'en at him. Your worm is your only emperor for diet. We fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service, two dishes, but to one table ; that 's the end.
Seite 86 - Neither a borrower nor a lender be: For loan oft loses both itself and friend; And borrowing dulls the edge of husbandry. This above all, — to thine own self be true; And it must follow, as the night the day, Thou canst not then be false to any man.
Seite 145 - O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who, for the most part, are capable of nothing but inexplicable dumb-shows and noise.