The Collected Works of William Hazlitt: Lectures on the English comic writers. A view of the English stage. Dramatic essays from 'The London magazine.'J.M. Dent & Company, 1903 |
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Seite 144
... Shakespear , he was excusable in being led to set off what may be considered as a staggering paradox against a rooted prejudice . At any rate , the inferiority of Hogarth ( be it what it may ) did not arise from a want of passion and ...
... Shakespear , he was excusable in being led to set off what may be considered as a staggering paradox against a rooted prejudice . At any rate , the inferiority of Hogarth ( be it what it may ) did not arise from a want of passion and ...
Seite 178
... make what use I please of what I have hitherto written , with the single exception of THE CHARACTERS OF SHAKESPEAR'S PLAYS . W. HAZLITT . April 24 , 1818 . A VIEW OF THE ENGLISH STAGE MR . KEAN'S SHYLOCK 178 A VIEW OF THE ENGLISH STAGE.
... make what use I please of what I have hitherto written , with the single exception of THE CHARACTERS OF SHAKESPEAR'S PLAYS . W. HAZLITT . April 24 , 1818 . A VIEW OF THE ENGLISH STAGE MR . KEAN'S SHYLOCK 178 A VIEW OF THE ENGLISH STAGE.
Seite 180
... Shakespear's verse . The Morning Chronicle . February 2 , 1814 . Mr. Kean appeared again in Shylock , and by his admirable and expressive manner of giving the part , fully sustained the reputation he had acquired by his former ...
... Shakespear's verse . The Morning Chronicle . February 2 , 1814 . Mr. Kean appeared again in Shylock , and by his admirable and expressive manner of giving the part , fully sustained the reputation he had acquired by his former ...
Seite 181
... Shakespear ) than that given by this very admirable tragedian ; but we cannot imagine any character represented with greater distinctness and precision , more perfectly articulated in every part . Perhaps , indeed , there is too much of ...
... Shakespear ) than that given by this very admirable tragedian ; but we cannot imagine any character represented with greater distinctness and precision , more perfectly articulated in every part . Perhaps , indeed , there is too much of ...
Seite 183
... Shakespear points out the manner in which the voice should dwell upon , and as it were , brood over the feeling , loth to part with the bitter consolation . Where he says to Buckingham , I am not i ' the vein , ' the expression should ...
... Shakespear points out the manner in which the voice should dwell upon , and as it were , brood over the feeling , loth to part with the bitter consolation . Where he says to Buckingham , I am not i ' the vein , ' the expression should ...
Häufige Begriffe und Wortgruppen
absurdity actor admirable appeared audience beauty Beggar's Opera Ben Jonson better character Charles Kemble comedy comic Coriolanus Country Wife Covent Covent-Garden criticism delight Don Quixote dramatic Drury-Lane effect English equal excellence expression eyes face fancy farce favourite feeling folly genius gentleman give grace Hamlet Hazlitt heart Hogarth Hudibras human humour Iago imagination imitation interest Kean Kean's Kemble Kemble's Lady laugh look Lord lover ludicrous Macbeth manner mind Miss Kelly Miss O'Neill moral nature never night Opera Othello pantomime passion performance person piece play pleasure poet poetry Richard ridiculous scene School for Scandal seems sense sentiment Shakespear shew Shylock singing song soul speak spirit stage story style supposed taste Tatler Theatre theatrical thing thou thought Tom Jones tone tragedy truth Twelfth Night voice whole wife words writer young
Beliebte Passagen
Seite 512 - Shakspeare, that, take him for all in all, we shall not look upon his like again.
Seite 210 - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
Seite 207 - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Seite 55 - Why so pale and wan, fond lover? Prithee, why so pale? Will, when looking well can't move her, Looking ill prevail? Prithee, why so pale?
Seite 450 - Methinks I should know you and know this man; yet I am doubtful: for I am mainly ignorant what place this is, and all the skill I have remembers not these garments; nor I know not where I did lodge last night.
Seite 449 - Tom? whom the foul fiend hath led through fire and through flame, through ford and whirlpool, o'er bog and quagmire; that hath laid knives under his pillow, and halters in his pew...
Seite 471 - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
Seite 276 - All schooldays' friendship, childhood innocence? We, Hermia, like two artificial gods Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key, As if our hands, our sides, voices, and minds Had been incorporate. So we grew together Like to a double cherry, seeming parted But yet an union in partition...
Seite 19 - Wit lying most in the assemblage of Ideas, and putting those together with quickness and variety, wherein can be found any resemblance or congruity, thereby to make up pleasant Pictures, and agreeable Visions in the fancy...
Seite 16 - The sun had long since, in the lap Of Thetis, taken out his nap, And, like a lobster boil'd, the morn From black to red began to turn...