Oxford Lectures on PoetryGood Press, 09.01.2020 - 344 Seiten In 'Oxford Lectures on Poetry' by A. C. Bradley, the author delves into the depths of poetry, analyzing its form, structure, and underlying meanings. Using a scholarly approach, Bradley dissects various poems to uncover the nuances of poetic language and symbolism. His examination of renowned poets such as Shakespeare and Tennyson provides readers with a comprehensive understanding of the complexities of poetry in its literary context. Bradley's insightful commentary offers a valuable resource for students and scholars interested in the study of poetry's poetic devices and themes. His eloquent writing style and in-depth analysis make this book a must-read for anyone seeking a deeper appreciation of poetry. As a renowned literary critic, Bradley's expertise shines through in this compilation of lectures, showcasing his passion for the subject and his dedication to unraveling the mysteries of poetry. 'Oxford Lectures on Poetry' is a seminal work that will inspire readers to explore the depths of poetic expression. |
Im Buch
Ergebnisse 1-5 von 51
Seite
... truth, or when 'beautiful' is taken to signify anything and everything that gives aesthetic satisfaction, or when 'Aesthetics' and 'Philosophy of the Beautiful' are used as equivalent expressions. Of beauty, thus understood, sublimity ...
... truth, or when 'beautiful' is taken to signify anything and everything that gives aesthetic satisfaction, or when 'Aesthetics' and 'Philosophy of the Beautiful' are used as equivalent expressions. Of beauty, thus understood, sublimity ...
Seite
... truths thus suggested are so obvious, when stated, that I thought a bare reminder of them would be enough. But in fact the mistakes we make about 'subject,' 'substance,' 'form,' and the like, are due not solely to misapprehension of our ...
... truths thus suggested are so obvious, when stated, that I thought a bare reminder of them would be enough. But in fact the mistakes we make about 'subject,' 'substance,' 'form,' and the like, are due not solely to misapprehension of our ...
Seite
... truth I shall change it to the shape that suits my purpose best. After gazing at the Falls for some time, he began to consider what adjective would answer most precisely to the impression he had received; and he came to the conclusion ...
... truth I shall change it to the shape that suits my purpose best. After gazing at the Falls for some time, he began to consider what adjective would answer most precisely to the impression he had received; and he came to the conclusion ...
Seite
... truth of any one account of it. Our only plan, therefore, must be to leave it entirely alone, and to consider merely the distinctive character of sublimity. Let beauty in general be what it may, what is it that marks off this kind of ...
... truth of any one account of it. Our only plan, therefore, must be to leave it entirely alone, and to consider merely the distinctive character of sublimity. Let beauty in general be what it may, what is it that marks off this kind of ...
Seite
... it thus : Thou whose exterior semblance doth belie Thy soul's immensity .... Mighty prophet ! Seer blest ! On whom those truths do rest Which we are toiling all our lives to find . A baby is still smaller, but a baby too may.
... it thus : Thou whose exterior semblance doth belie Thy soul's immensity .... Mighty prophet ! Seer blest ! On whom those truths do rest Which we are toiling all our lives to find . A baby is still smaller, but a baby too may.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Alastor answer Antigone Antony and Cleopatra appears audience beauty believe called catastrophe character Coleridge conflict criticism death delight difference doubt drama dream effect Elizabethan Endymion evil Excursion experience expression fact Falstaff feel felt further genius Goethe Hamlet heart Hegel Henry Henry IV hero human Iago idea ideal imagination immortality impression interest Julius Cæsar Keats Keats’s kind King King Lear language least lecture less letters long poem lyrical Macbeth means merely Milton mind moral nature never object Othello pain passage passion perfect perhaps play poet poet’s poetic poetry Prince Prometheus Unbound question reader realise reason refer scene seems sense Shakespeare Shakespearean Tragedy Shelley Shelley's simply sonnets soul speak spirit stanza statement story sublime sympathy theory things thought tragedy tragic Troilus and Cressida true truth whole words Wordsworth write wrote