A Sentimental Journey Through France and ItalyLindhardt og Ringhof, 03.10.2022 - 283 Seiten Set during the ‘Seven Years War’ between England and France, ‘A Sentimental Journey Through France and Italy’ was one of Sterne’s last works. Seen as the epilogue to his ‘Tristram Shandy’ books (later adapted for film, as ‘A Cock and Bull Story ́, starring Steve Coogan and Rob Brydon), it tells the tale of Yorick, as he travels between the two countries. While visiting Paris, Yorick is discovered to be without a passport. When he flees to Versailles in order to get one, he is mistaken for the jester in Shakespeare's ‘Hamlet’. Will he be able to escape imprisonment, or is the game up for our hero? A superb satire on another author’s less-than-sentimental travelogue through the same countries. Born in Ireland, Laurence Sterne (1713 – 1768) was the son of a commissioned officer in the British army. As a result, the first 10 years of his life were spent travelling from place to place. However, at the age of 11, he was sent to boarding school in England, under the care of his brother. After leaving Jesus College with a Bachelor of Arts, he was ordained both a priest and a deacon. While he had previously written for the ‘York Gazetteer’, Sterne's uncle encouraged him to write for political journals, much to the consternation of the rest of the family. This was followed by his first novel, ́A Political Romance,’ which also put religion under the spotlight. After failing in the role of a farmer, he wrote his most famous book, ‘The Life and Opinions of Tristram Shandy, Gentleman.’ Six years later, he was to become part of the abolitionist movement, after publicly replying to a letter from former slave, writer, and composer, Ignatius Sancho. Sterne died in London, aged 54. |
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... hand! he pulls out his purse, and holding it airily and uncompressed, looks round him, as if he sought for an object to share it with.—In doing this, I felt every vessel in my frame dilate,—the arteries beat all cheerily together, and ...
... hand! he pulls out his purse, and holding it airily and uncompressed, looks round him, as if he sought for an object to share it with.—In doing this, I felt every vessel in my frame dilate,—the arteries beat all cheerily together, and ...
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... hands of any one to design, for 'twas neither elegant nor otherwise, but as character and expression made it so: it ... hand upon his breast (a slender white staff with which he journey'd being in his right)—when I had got close up to ...
... hands of any one to design, for 'twas neither elegant nor otherwise, but as character and expression made it so: it ... hand upon his breast (a slender white staff with which he journey'd being in his right)—when I had got close up to ...
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... , No doubt there is misery enough in every corner of the world, as well as within our convent—But we distinguish, said I, laying my hand upon the sleeve of his tunic, in return for his appeal—we distinguish, my THE MONK. ...
... , No doubt there is misery enough in every corner of the world, as well as within our convent—But we distinguish, said I, laying my hand upon the sleeve of his tunic, in return for his appeal—we distinguish, my THE MONK. ...
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... hand is against every man, and every man's hand against thee.—Heaven forbid! said she, raising her hand up to her forehead, for I had turned full in front upon the lady whom I had seen in conference with the monk:—she had followed us ...
... hand is against every man, and every man's hand against thee.—Heaven forbid! said she, raising her hand up to her forehead, for I had turned full in front upon the lady whom I had seen in conference with the monk:—she had followed us ...
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... hand: we were as impatient as himself to have it opened; and so attentive to the obstacle that I continued holding her hand almost without knowing it: so that Monsieur Dessein left us together with her hand in mine, and with our faces ...
... hand: we were as impatient as himself to have it opened; and so attentive to the obstacle that I continued holding her hand almost without knowing it: so that Monsieur Dessein left us together with her hand in mine, and with our faces ...
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added affections better betwixt CALAIS close coming continued corner Count dear Dessein door eyes face fair feel fellow felt Fleur France French gave girl give given half hand head heart heaven hold honour hour idea instantly Italy kind knew La Fleur lady laid least leave look look’d Madame manner Maria master mind Mons Monsieur nature never night once Paris pass passage passport pocket poor postilion present reason Remise replied road round scarce seemed seen sentiment side single sitting soul sous spirit step stood story street taken tell thee thing thou thought told took Traveller turn twas walk’d walked whole wish woman Yorick young