Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 Seiten It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Seite 191
... Prince's omniscient eye ( just as , in the theatre , the scene was ideally subject to the surveillance of the Prince , watching from the ideal viewing position ) . Clearly the scenic harmony in Salmacida Spolia represents the ...
... Prince's omniscient eye ( just as , in the theatre , the scene was ideally subject to the surveillance of the Prince , watching from the ideal viewing position ) . Clearly the scenic harmony in Salmacida Spolia represents the ...
Seite 210
... Prince Pretty- man in Buckingham's Rehearsal , who pays Tom Thimble " in your own coyn : you give me nothing but words " ) . " Literary pamphlets were the equivalent of paper money and credit instruments , reproduced indifferently by ...
... Prince Pretty- man in Buckingham's Rehearsal , who pays Tom Thimble " in your own coyn : you give me nothing but words " ) . " Literary pamphlets were the equivalent of paper money and credit instruments , reproduced indifferently by ...
Seite 369
... Prince - Bishop in the early years of the 17th century ( qtd . Kindermann , Theatergeschichte III : 484 ) . The collection of Jakob Ayrer's drama that comes out in 1618 is titled Opus Thaeatricum , and the preface refers to it as ...
... Prince - Bishop in the early years of the 17th century ( qtd . Kindermann , Theatergeschichte III : 484 ) . The collection of Jakob Ayrer's drama that comes out in 1618 is titled Opus Thaeatricum , and the preface refers to it as ...
Inhalt
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Urheberrecht | |
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2000 |
Häufige Begriffe und Wortgruppen
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes