Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 Seiten It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Seite 109
... Caesar and Pompey in 1631 ) : “ Scenicall representation is so farre from giving just cause of any least diminution , that the personall and exact life it gives to any History , or other such delineation of humane actions , ads to them ...
... Caesar and Pompey in 1631 ) : “ Scenicall representation is so farre from giving just cause of any least diminution , that the personall and exact life it gives to any History , or other such delineation of humane actions , ads to them ...
Seite 135
... Caesars . And the displays of the figures of the Apocalypse seen by Saint John Zebedee . . . under Caesar Domitian , with the cruelties of Nero and those of Domitian . The whole overseen and corrected according to the authentic truth ...
... Caesars . And the displays of the figures of the Apocalypse seen by Saint John Zebedee . . . under Caesar Domitian , with the cruelties of Nero and those of Domitian . The whole overseen and corrected according to the authentic truth ...
Seite 493
... Caesar 99 , 115 , 120 , 124 , 177 , 317 n . 22 Scamozzi , Vincenzo 5 , 185-6 Schelling , Friedrich 307 Schiller , Friedrich 74 , 253 , 265 , 270 , 271–2 , 297 , 303 , 304 , 306 , 436 n . 13 , 438–9 n . 45 Schinkel , Karl Friedrich 87 ...
... Caesar 99 , 115 , 120 , 124 , 177 , 317 n . 22 Scamozzi , Vincenzo 5 , 185-6 Schelling , Friedrich 307 Schiller , Friedrich 74 , 253 , 265 , 270 , 271–2 , 297 , 303 , 304 , 306 , 436 n . 13 , 438–9 n . 45 Schinkel , Karl Friedrich 87 ...
Inhalt
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Urheberrecht | |
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2000 |
Häufige Begriffe und Wortgruppen
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes