Music in the RenaissancePrentice-Hall, 1976 - 384 Seiten A history of Renaissance music focused on the music itself and the social and institutional contexts that shaped musical genres and performance. This book provides a complete overview of music in the 15th and 16th Centuries. It explains the most significant features of the music and the distinguishing characteristics of Renaissance composers (in Europe and the New World). It includes a large integrated anthology of 94 musical examples, as well as illustrations of musical instruments, notation, and ensembles. |
Inhalt
MUSIC IN THE RENAISSANCE | 1 |
part | 7 |
OCKEGHEM AND BUSNOIS | 66 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Adrian Willaert Agricola American Institute anthologies antiphon bass Binchois Busnois Byrd Byrd's cadence canon cantus firmus cantus-firmus Masses chansonniers chansons chant chapel chordal chords church composer's composers compositions contemporaries contrapuntal contratenor counterpoint court cyclic Mass dance duet Dufay Dufay's early English example fauxbourdon fifteenth firmi French frottole genre German Giovanni Gombert harmonic Heinrich Isaac homophony Institute of Musicology instrumental Italian Italy Johannes Josquin Josquin des Prez keyboard Kyrie L'homme armé Lasso late lieder liturgical lute madrigals manuscript Marenzio Mass melismas melodic lines melody Missa modern edition motives movements musicians Musicology Netherlandish Obrecht Ockeghem Palestrina paraphrase parody parody Masses passages phrases Pierre Pierre Attaingnant plainchant poems poetry points of imitation polyphony psalm published Renaissance rhythmic rhythms sacred music sections secular music sixteenth century songs structure style sung superius technique tenor texture three voices tion tonal top voice vols volumes Willaert words written wrote