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inauthor:Hans inauthor:Belting von books.google.com
In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture.
inauthor:Hans inauthor:Belting von books.google.com
Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.
inauthor:Hans inauthor:Belting von books.google.com
" "The Invisible Masterpiece is an unusual reconstruction of the history of the work of art since 1800, in which Hans Belting explores and explains the dreams and fears, the triumphs and failures of modernity's painters and sculptors.
inauthor:Hans inauthor:Belting von books.google.com
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media This fascinating book presents the first cultural history and anthropology of the face across centuries, ...
inauthor:Hans inauthor:Belting von books.google.com
A compelling theory that places the origin of human picture making in the body In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making.
inauthor:Hans inauthor:Belting von books.google.com
Twee essays over de methodologie van het vak kunstgeschiedenis
inauthor:Hans inauthor:Belting von books.google.com
Using the metaphor of the mutual gaze, Belting narrates the encounter between science and art, Arab Baghdad and Renaissance Florence, that revolutionized Western culture.
inauthor:Hans inauthor:Belting von books.google.com
This study focuses on the attitudes Germans have towards their art from the Romantic period to the present, and discusses the ways they have tried to find their identity as a nation through this art.
inauthor:Hans inauthor:Belting von books.google.com
He links the work to the humanist theories of Thomas More and Willibald Pirckheimer and examines the question that Bosch posed: "What would the world have been like without the Fall?